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      <title><![CDATA[The Net: The Unabomber, LSD, And…]]></title>
      <description><![CDATA[The Net: The Unabomber, LSD, And The Internet (2003)
Director: Lutz Dammbeck





More of a film essay - of the type pioneered by Orson Welles and Chris Marker - than a standard documentary, German filmmaker Lutz Dammbeck’s The Net: The Unabomber, the LSD and the Internet begins with the typical format…]]></description>
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Director: Lutz Dammbeck





More of a film essay - of the type pioneered by Orson Welles and Chris Marker - than a standard documentary, German filmmaker Lutz Dammbeck’s The Net: The Unabomber, the LSD and the Internet begins with the typical format…]]></itunes:subtitle>
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      <content:encoded><![CDATA[<p>The Net: The Unabomber, LSD, And The Internet (2003)<br>Director: Lutz Dammbeck<br><br><a href="https://image.nostr.build/e704e4e6f73e4b5c6129cb3894c36e5b922a403b09b52e1f68b9fd6b1afa5b24.jpg" class="vbx-media" target="_blank"><img class="venobox" src="https://image.nostr.build/e704e4e6f73e4b5c6129cb3894c36e5b922a403b09b52e1f68b9fd6b1afa5b24.jpg"></a><br><br><video controls="" src="https://archive.org/download/the-net/The%20Net%2C%20The%20UnaBomber%2C%20LSD%2C%20and%20the%20Internet.mp4#t=0.1" style="width:100%;"></video><br><br>More of a film essay - of the type pioneered by Orson Welles and Chris Marker - than a standard documentary, German filmmaker Lutz Dammbeck’s The Net: The Unabomber, the LSD and the Internet begins with the typical format and structure of a nonfiction film, and a single subject (the life and times of mail bomber Ted Kaczynski). From that thematic springboard, Dammbeck branches out omnidirectionally, segueing into a series of thematic riffs and variants on such marginally-related subjects as: the history of cyberspace, terrorism, utopian ideals, LSD, the Central Intelligence Agency, and Cuckoo’s Nest author Ken Kesey and his Merry Pranksters.<br><br><a href='/tag/documentary/'>#documentary</a> <a href='/tag/kinostr/'>#kinostr</a><br><a href='/tag/kino/'>#kino</a> <a href='/tag/fullmovies/'>#fullmovies</a> <a href='/tag/lsd/'>#lsd</a> <a href='/tag/cia/'>#cia</a> <a href='/tag/cyberspace/'>#cyberspace</a> <a href='/tag/thriller/'>#thriller</a> <a href='/tag/filmessay/'>#filmessay</a> <a href='/tag/documentaries/'>#documentaries</a> <a href='/tag/movies/'>#movies</a> <a href='/tag/films/'>#films</a></p>
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      <itunes:summary><![CDATA[<p>The Net: The Unabomber, LSD, And The Internet (2003)<br>Director: Lutz Dammbeck<br><br><a href="https://image.nostr.build/e704e4e6f73e4b5c6129cb3894c36e5b922a403b09b52e1f68b9fd6b1afa5b24.jpg" class="vbx-media" target="_blank"><img class="venobox" src="https://image.nostr.build/e704e4e6f73e4b5c6129cb3894c36e5b922a403b09b52e1f68b9fd6b1afa5b24.jpg"></a><br><br><video controls="" src="https://archive.org/download/the-net/The%20Net%2C%20The%20UnaBomber%2C%20LSD%2C%20and%20the%20Internet.mp4#t=0.1" style="width:100%;"></video><br><br>More of a film essay - of the type pioneered by Orson Welles and Chris Marker - than a standard documentary, German filmmaker Lutz Dammbeck’s The Net: The Unabomber, the LSD and the Internet begins with the typical format and structure of a nonfiction film, and a single subject (the life and times of mail bomber Ted Kaczynski). From that thematic springboard, Dammbeck branches out omnidirectionally, segueing into a series of thematic riffs and variants on such marginally-related subjects as: the history of cyberspace, terrorism, utopian ideals, LSD, the Central Intelligence Agency, and Cuckoo’s Nest author Ken Kesey and his Merry Pranksters.<br><br><a href='/tag/documentary/'>#documentary</a> <a href='/tag/kinostr/'>#kinostr</a><br><a href='/tag/kino/'>#kino</a> <a href='/tag/fullmovies/'>#fullmovies</a> <a href='/tag/lsd/'>#lsd</a> <a href='/tag/cia/'>#cia</a> <a href='/tag/cyberspace/'>#cyberspace</a> <a href='/tag/thriller/'>#thriller</a> <a href='/tag/filmessay/'>#filmessay</a> <a href='/tag/documentaries/'>#documentaries</a> <a href='/tag/movies/'>#movies</a> <a href='/tag/films/'>#films</a></p>
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