https://kinostr.npub.pro/tag/cgi/ https://kinostr.npub.pro/tag/cgi/rss/ episodic Sat, 14 Sep 2024 14:10:22 GMT Sat, 14 Sep 2024 14:10:22 GMT https://kinostr.npub.pro/tag/cgi/ https://image.nostr.build/79315a06edd2151e1f3e807343b7e7293ccf0108a0f652333a70906efd53cdfa.jpg Sat, 14 Sep 2024 14:10:22 GMT https://kinostr.npub.pro/post/note18g3x9zmx88nz0p53fy3e297kycqm3zddc78ztqlax36rm3tsxnssqc508w/ https://kinostr.npub.pro/post/note18g3x9zmx88nz0p53fy3e297kycqm3zddc78ztqlax36rm3tsxnssqc508w/ note18g3x9zmx88nz0p53fy3e297kycqm3zddc78ztqlax36rm3tsxnssqc508w animation note18g3x9zmx88nz0p53fy3e297kycqm3zddc78ztqlax36rm3tsxnssqc508w npub1nmq83muu5v0phkaew96amcwtqzle7u39ummz9nxg6dnnqt3zqjtse7vt4s Beyond the Mind’s Eye: A Computer Animation Odyssey (1992) (LaserDisc)
Director: Michael Boydstun





BEYOND integrates the latest in computer animation technology and artistry with original music from renowned composer Jan Hammer. The Mind’s Eye, Miramar’s first computer animation odyssey, has been described as a “modern Fantasia” - this video steps BEYOND.

#animation #art #films #cgi #music #kinostr #kino
#fullmovies #movies #artstr #vaporwave #90s #documentaries #documentary

]]> Beyond the Mind’s Eye: A Computer Animation Odyssey (1992) (LaserDisc)
Director: Michael Boydstun





BEYOND integrates the latest in computer animation technology and artistry with original music from renowned composer Jan Hammer. The Mind’s Eye, Miramar’s first computer animation odyssey, has been described as a “modern Fantasia” - this video steps BEYOND.

#animation #art #films #cgi #music #kinostr #kino
#fullmovies #movies #artstr #vaporwave #90s #documentaries #documentary

]]> Mon, 09 Sep 2024 19:57:36 GMT https://kinostr.npub.pro/post/note1mshrhj7y39ar5kxcaa8v80zmues0ugnznupcr3ujevzsjgpyp2tsjjqe3l/ https://kinostr.npub.pro/post/note1mshrhj7y39ar5kxcaa8v80zmues0ugnznupcr3ujevzsjgpyp2tsjjqe3l/ note1mshrhj7y39ar5kxcaa8v80zmues0ugnznupcr3ujevzsjgpyp2tsjjqe3l art note1mshrhj7y39ar5kxcaa8v80zmues0ugnznupcr3ujevzsjgpyp2tsjjqe3l npub1nmq83muu5v0phkaew96amcwtqzle7u39ummz9nxg6dnnqt3zqjtse7vt4s John Whitney, Anthology (1961-75)
& John Whitney- A Personal Search For the Complementarity of Music and Visual Art (1992)





John Hales Whitney Sr. (April 8, 1917 – September 22, 1995) was an American animator, composer and inventor, widely considered to be one of the pioneers of computer animation.

During the 1950s, Whitney used his mechanical animation techniques to create sequences for television programs and commercials. In 1952, he directed engineering films on guided missile projects. One of his most famous works from this period were the animated title and dream sequences from Alfred Hitchcock's 1958 film Vertigo, which he collaborated on with the graphic designer Saul Bass.

The analog computer Whitney used to create his most famous animations was built in the late 1950s by converting the mechanism of a World War II M-5 antiaircraft gun director. Later, Whitney would augment the mechanism with an M-7 mechanism, creating a twelve-foot-high machine. Design templates were placed on three different layers of rotating tables and photographed by multiple-axis rotating cameras. The color was added during optical printing.
wikipedia:
https://en.wikipedia.org/wiki/John_Whitney_(animator)

John Whitney- A Personal Search For the Complementarity of Music and Visual Art (1992)

https://www.youtube.com/watch?v=uunwKF7AUkc

A Personal Search For the Complementarity of Music and Visual Art (1992) uses the concept of complementarity to make sense of the confusion that existed between fine art and technology in the late 20th century.

#art #documentary #ComputerGraphics #cgi
#kinostr #kino #artstr #documentaries #movies #films #animation #fullmovies #music

]]> John Whitney, Anthology (1961-75)
& John Whitney- A Personal Search For the Complementarity of Music and Visual Art (1992)





John Hales Whitney Sr. (April 8, 1917 – September 22, 1995) was an American animator, composer and inventor, widely considered to be one of the pioneers of computer animation.

During the 1950s, Whitney used his mechanical animation techniques to create sequences for television programs and commercials. In 1952, he directed engineering films on guided missile projects. One of his most famous works from this period were the animated title and dream sequences from Alfred Hitchcock's 1958 film Vertigo, which he collaborated on with the graphic designer Saul Bass.

The analog computer Whitney used to create his most famous animations was built in the late 1950s by converting the mechanism of a World War II M-5 antiaircraft gun director. Later, Whitney would augment the mechanism with an M-7 mechanism, creating a twelve-foot-high machine. Design templates were placed on three different layers of rotating tables and photographed by multiple-axis rotating cameras. The color was added during optical printing.
wikipedia:
https://en.wikipedia.org/wiki/John_Whitney_(animator)

John Whitney- A Personal Search For the Complementarity of Music and Visual Art (1992)

https://www.youtube.com/watch?v=uunwKF7AUkc

A Personal Search For the Complementarity of Music and Visual Art (1992) uses the concept of complementarity to make sense of the confusion that existed between fine art and technology in the late 20th century.

#art #documentary #ComputerGraphics #cgi
#kinostr #kino #artstr #documentaries #movies #films #animation #fullmovies #music

]]>